Director
KORE-EDA Hirokazu

PROFILE
Born 1962 in Tokyo, Japan. After graduating from Waseda University in 1987, Kore-eda joined TV
Man Union where he directed several prize-winning documentary programs. In 2011, he launched his
production company BUN-BUKU.
In 1995, his directorial debut, Maborosi, based on the original novel written by Miyamoto Teru, won
the 52nd Venice International Film Festival's Golden Osella. After Life (1998), distributed in over 30
countries, brought Kore-eda international acclaim. In 2001, Distance was selected in Competition at
the Cannes Film Festival, and with his fourth work Nobody Knows (2004), Yagira Yuya garnered much
attention for becoming the youngest person to ever receive the Cannes Film Festival's Best Actor
Award. In 2006, Hana, a film centered on vengeance, became his first attempt at a period piece. In
2008, he presented the family drama Still Walking, which reflected his own personal experiences, and
received high praise from around the world. In 2009, Air Doll was world premiered in Un Certain
Regard at the 62nd Cannes Film Festival and was widely praised for marking a new frontier in its
depiction of a sensual love fantasy. In 2011, I Wish won the Best Screenplay Award at the 59th San
Sebastian International Film Festival. In 2012, he made his TV directorial debut with the series Going
Home.
His feature film Like Father, Like Son (2013), won the Jury Prize at the Cannes Film Festival, received
the audience awards at San Sebastian, Vancouver, and Sao Paulo International Film Festivals and
broke the box office record of his past films in many territories. In 2015, Our Little Sister premiered
in Competition at the Cannes Film Festival, and received five awards including Best Film and Best
Director at the Japan Academy Prize, as well as the Jury Prize at the San Sebastian Film Festival. In
2016, After the Storm premiered in Un Certain Regard at the Cannes Film Festival. In 2017, The Third
Murder premiered In Competition at the 52nd Venice International Film Festival. In 2018, Shoplifters
won the Palme d'Or at the 71st Cannes Film Festival, the Best Foreign Film at the 11th Césars, and
many other awards, as well as being nominated for the 91st Academy Award for Best Foreign
Language Film.
In 2019, his first feature outside Japan, The Truth, starring French film legends Catherine Deneuve
and Juliette Binoche, opened in Competition at the 76th Venice International Film Festival. In 2022,
his Korean debut Broker won the Ecumenical Jury Prize, while Song Kang-Ho received the Best Actor
Award at the 75th Cannes Film Festival. In 2023, his first Netflix series The Makanai: Cooking for the
Maiko House was released worldwide, and his latest feature Monster won the Queer Palme and
garnered Yuji Sakamoto the Best Screenplay Award at the 76th Cannes Film Festival. Most recently,
in 2025, he adapted and directed the Netflix series Asura, a remake of Kuniko Mukoda's iconic home
drama, which earned him the Best Director Award at the 20th Seoul International Drama Awards.
WORKS

Monster

Broker

The Truth

Shoplifters

十年 Ten Years Japan

THE THIRD MURDER

AFTER THE STORM

Our Little Sister

Like Father, Like Son

あの日~福島は生きている~

Ending Note: Death of a Japanese Salesman

I wish

Air Doll

Beautiful Islands

大丈夫であるように ~Cocco終らない旅~

Still Walking

HANA

Nobody Knows

Wild Berries

Kakuto

Distance

After Life

Maborosi

The Makanai: Cooking for the Maiko House

有村架純の撮休

いしぶみ ~忘れない。 あなたたちのことを~

きょうの、あきない

ゴーイング マイ ホーム

悪いのはみんな萩本欽一である

妖しき文豪怪談 「後の日」

あの時だったかもしれない~テレビにとって「私」とは何か~

私がこどもだった頃

シリーズ憲法~第9条・戦争放棄「忘却」~

歩くような速さで

非公開: 記憶が失われた時

非公開: 彼のいない八月が

非公開: 心象スケッチ それぞれの宮沢賢治

非公開: 侯孝賢とエドワード・ヤン

非公開: 日本人になりたかった・・・

非公開: 公害はどこへ行った・・・

非公開: もう一つの教育

非公開: しかし・・・ 福祉切り捨ての時代に

米津玄師「カナリヤ」

ハナレグミ「深呼吸」

AKB48「Green Flash」

スネオヘアー「やさしいうた」

Cocco「陽の照りながら雨の降る」

タテタカコ「宝石」

Cocco「水鏡」

ジャパネットウォーター 富士山の天然水「ジャパネットウォーター きれいだ。」篇

SKⅡ 「センターレーン」篇

伊藤忠商事「はじめての使命」(2015)

朝のリレー 寝顔篇

アークザラット精霊の黄昏

きっかけはフジテレビ

ミュージック・オーディション・シリーズ

じっくりコトコト煮込んだスープ

3年目のなっちゃん

モノより思い出 シリーズ

真実 La Vérité シナリオ対訳

こんな雨の日に 映画「真実」をめぐるいくつかのこと

希林さんといっしょに。

映画を撮りながら考えたこと

世界といまを考える 3

世界といまを考える 2

世界といまを考える 1

雲は答えなかった

歩くような速さで

歩いても歩いても(小説版)

花よりもなほ(小説版)

DISTANCE~映画が作られるまで~

官僚はなぜ死を選んだのか

小説ワンダフルライフ